In the afterword to the 2020 reprinting of Kathe Koja’s seminal novel from 1991, The Cipher, Maryse Meijer writes: “Unlike many horror stories, in which protagonists stumble on some terrible …
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Here is an open-ended question, a genuine question to which I do not have an answer: can novels about–or set against the backdrop of–ecological catastrophe do anything? And by “do …
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